1-910-790-0324

Showing posts with label Panasonic AG-HSC1U. Show all posts
Showing posts with label Panasonic AG-HSC1U. Show all posts

Thursday, July 23, 2009

Apple Announce New Final Cut Studio Pro 2.5 Upgrades 269.00

AVC INTRA NATIVE SUPPORT NOW INCLUDED . GREAT FOR PANASONIC AG-HMC40 and Panasonic AG-HMC150

Apple announces a significant update to Final Cut Studio, with more than 100 new features and new versions of Final Cut Pro, Motion, Soundtrack Pro, Color and Compressor. The industry's leading video post-production suite, Final Cut Studio features Final Cut Pro 7 with new versions of ProRes to support virtually any workflow, Easy Export for one-step delivery, and iChat Theater integration for real-time editing collaboration from anywhere in the world. Motion 4 includes enhanced text and 3D tools that make it easy to create everything from basic titles to stunning motion graphics, and Soundtrack Pro 3 features voice-level match and dozens of new multitrack editing tools to streamline audio post-production. Color 1.5 includes wider format support and improved integration with Final Cut Pro, and Compressor 3.5 adds new features designed to simplify and speed up digital delivery.

Order Your Upgrade for 269.00 Here


Order The Full Version Here 969.00

Friday, August 3, 2007

Apple Final Cut Pro Supports Panasonic AG-HSC1U AGHSC1U AVCHD Format

Apple Mac PRO Now Supports Panasonic AVCHD Format

After months of waiting, users of those tiny new AVCHD high-definition camcorders from Sony and Panasonic now have a reliable and robust post-production option for Apple’s Mac platform.

Apple has released an update to Final Cut Pro (version 6.0.1) that transcodes AVCHD video for use in FCP. The company’s new version ingests AVCHD in Final Cut’s Log and Transfer window as either Apple ProRes 422 or Apple Intermediate Codec (AIC).

There are, however, some tradeoffs. Although AVCHD camcorders may be tiny, the files created after transcoding are not. Because AVCHD has a much higher compression ratio than its ProRes 422 codec, the ingested files are significantly larger than the original files.

How much bigger? How about ten times! Apple said a two-minute native AVCHD file takes up about 200 MB of space. After transcoding to the Apple ProRes 422 codec, the file size can be as large as 2 GB. Since FCP does not estimate the size of a transcoded AVCHD file before ingesting, it is entirely possible to exceed the available space on your capture disk during transfer.

Another new option for Mac users is Voltaic, a $30 standalone application that converts AVCHD clips to a QuickTime-formatted movie using AIC. Converted files can be edited in both Final Cut or iMovie HD. Output files are four times the size of the ingested file.

One caveat is that Voltaic, in version 1.0, can only handle file sizes up to 500 MB, which means clips are limited to five minutes in duration at the highest quality.



The Panasonic AG-HSC1U AG HSC1U Three Chip HD Camcorder is available here from AValive.com

Final Cut Pro HD Suite Version 2 Is Available Here From AValive.com

Blog Archive

AValive Twitter Updates

    follow me on Twitter